La Madonna fantasma. Un marmo ritrovato tra Nicola Pisano e la nuova scuola senese Maria Falcone The article is dedicated to a Virgin with the Child in marble by Nicola Pisano’s school. This sculpture, documented since 1903 in the Pinacoteca Nazionale of Siena and published for the first time in 1984, disappared after 1941. Even…
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Roberta Delmoro
Monza 1403: gli arredi liturgici del Duomo, una basilica nell’orizzonte europeo Roberta Delmoro The inventory of the bona pretiosa et res of Monza Cathedral dated 1403, the last of the series of Medieval inventories of the Treasure of the Monza Church, is of particular interest for the listing and description of the numerous ecclesiastical items,…
Gigetta Dalli Regoli
Les Cahiers de l’Ornement Gigetta Dalli Regoli The essays collected in the volume here reviewed aim at discussing the role and the relevance of the ornament in the visual arts across the centuries, from classical antiquity up to the Renaissance and Baroque,with a stress on such artists as Filippino Lippi, Amico Aspertini, Leonardo and Giacomo…
Elia Favalli
Per la storia della fortuna di Witelo nel Rinascimento: l’introduzione alla Prospettiva di Ettore Ausonio Elia Favalli This essay aims to show the di# usion and the interpretation of Witelo’s Perspective in the Renaissance,by taking into consideration, in particular, the Introduzione alla Prospettiva, an unpublished documentwritten by Ettore Ausonio (1520 – 1570 ca.), preserved at…
Michela Morelli
Intorno all’Indisposizione artistica di Venezia del 1887 Michela Morelli At the end of the Nineteenth Century Humorous Salons took place in several European and US cities. These exhibitions were promoted by groups of artists who through their satirical works anticipated some of the manners and languages then adopted by the Avant-gardes. In 1887 Venice hosted…
Paola Setaro
Sul collezionismi pittorico napoletano nella prima metà del Seicento. Protagonisti, spazi e spunti di ricerca Paola Setaro This article offers new reflections on Neapolitan painting collections in the first half of the XVII century.Naples appears as a city of extraordinary cultural vitality, where collecting was not an exclusive prerogative of the aristocracy. The real protagonists…
Stefania Gerevini
Hagia Sophia and the Byzantine Aesthetic Experience Stefania Gerevini This book takes an inside look at the sense of wonder and otherworldliness that has overwhelmed visitorsto the church of Hagia Sophia since early Byzantine times, and examines the sixth-century building fromthe perspective of aesthetics, and in relation to early Byzantine theories of color, luminosity and…
Emanuele Zappasodi
Corpus of Sienese Paintings in Hungary, 1420-1510 Emanuele Zappasodi Review of the catalogue of Sienese early Renaissance paintings (1420-1510) in Hungarian museums andcollections, written by a renowned specialist in the ! eld, Dóra Sallay. The volume contains notable historical and critical novelties, and it will be followed by two other catalogues, dedicated respectively to lateMedieval…
Eliana Carrara
Agnolo Bronzino: The Muse of Florence Eliana Carrara The volume, dedicated to the memory of Professor Craig Hugh Smyth, aims to shed a new light on the figure of Agnolo Bronzino, an important artist at the court of Cosimo I de’ Medici, and his wealthy patrons.
Cecilia Riva
Guida ai principali dipinti nell’Accademia di Belle Arti di Venezia Cecilia Riva The article reviews the new Italian edition of John Ruskin’s Guide to the principal paintings of the Accademia di Belle Arti di Venezia (1877), philologically and critically edited by Paul Tucker, and translated intoItalian by Emma Sdegno.