Note sulla presenza di Giacomo Colombo in Abruzzo e in Molise Gian Giotto Borrelli The essay examines the artworks made by the sculptor Giacomo Colombo (1663-1731) for various churches in Abruzzo and Molise. While some of these works are already known, they are reconsidered here through the lens of their creation dates. The aim is…
Simona Manzoli
Presenze confraternali e inediti cinquecenteschi. Nuove evidenze per una rilettura della Chiesa di Santo Stefano Primo Martire a Cugnoli Simona Manzoli This essay deals with an original sixteenth-century cycle of paintings, which can be found in a private home in the village of Cugnoli and which is related to a completely unknown local confraternity. Thanks…
Antonello Ricco
Il Sant’Ippolito in argento di Roccaraso: la trasmissione di modelli nel vicereame di Napoli Antonello Ricco The essay examines the circulation of figurative models between the 17th and 18th century in the Kingdom of Naples, highlighting the connections with Rome. It reflects on the relationship between silversmiths and sculptors in Naples by focusing on three…
Floriana Conte
Disegni veneziani per ornamenti per la «meraviglia del gran cancello»: nota sulle fonti e sulla fortuna critica della cancellata in ferro battuto nella cappella del Santissimo Sacramento in Santa Maria del Colle a Pescocostanzo Floriana Conte The ornate wrought iron gate of the Chapel of the Sacrament in the Basilica of Santa Maria del Colle…
Ilaria Molteni
Passés antiques et construction de l’image civique de Gênes entre manuscrits, art monumental et historiographie Ilaria Molteni
Jan Verheyen
A lost portrait by Pieter Cristus and its contemporary Italian copy. An exploration of Flemish-Italian artistic interactions in the fifteenth century Jan Verheyen In 2016, a captivating fifteenth-century portrait of a self-assured man, dressed entirely in accordance with the Burgundian-Flemish fashion, featuring a striking black headdress, caught the attention of experts engaged by the Swiss…
Rebecca Caracciolo
L’iconografia dei Viri Illustres nella Cappella di San Brizio del Duomo di Orvieto Rebecca Caracciolo The Cortona painter Luca Signorelli achieved the masterpiece of his career with the cycle of frescoes in the chapel of San Brizio in Orvieto Cathedral. The decoration is divided in two main registers: the upper one, where Signorelli depicted different…
Roberto Tartaglia
La corrispondenza privata di Federico Zuccari. Lettere a Sebastiano Caccini Roberto Tartaglia The article, focused on Federico Zuccari’s correspondence, sheds new light on both his life and career, by providing a remarkable cross-section of his public and private dimension. Thanks to a review of the letters to his friend Sebastiano Caccini, now preserved at the…
Filippo Yahia Masri
La Galleria Multipli: arte moltiplicata a Torino (1970-1975) Filippo Yahia Masri The Galleria Multipli was founded in 1970 in Turin by Giorgio Persano. During its period of activity, from 1970 to 1975, the Multipli contributed to the growth of contemporary art in the city by specializing in the production of multiples. The gallery’s work represented…
Michele Dantini
Alighiero Boetti e il “niente” (1966-1969). Cortine, distanze, interregni Michele Dantini Presented here is a monographic essay dedicated to a single work by Boetti, I vedenti, dated 1967. Two different paths of interpretation are attempted. The first path leads to the recognition of artworks and artists contemporary to Boetti or a little earlier, starting with…