Digital Humanities, Digital Art History: perché un disegno leonardesco assomiglia a un tappeto svedese? Emanuele Pellegrini In recent years Art History has been deeply involved in the rapid evolution of Digital Technologies. The approach to written but also visual sources has deeply changed, and brand new repositories together with brand new research tools have become…
Fabienne Fravalo
Un nouvel outil de recherche sur les revues d’art: le Répertoire de cent revues francophones d’histoire et de critique d’art de la première moitié du XX siècle de l’INHA Fabienne Fravalo In June 2013 the Institut National d’Histoire de l’Art (INHA) uploaded online the Répertoire de cenrevues francophones d’histoire et critique d’art de la première…
Paolo Martore
Ricordi di domani Paolo Martore Within the context of contemporary art, conservation issues look at the work of art as a living, and constantly changing, entity. According to this perspective the concept of loss becomes both critical and unacceptable, since the art object, being changeable and passing, is always jeopardized in its vitality. Such a…
Francesco Federici
Un percorso scientifico nei rapporti tra il cinema e le arti contemporanee. Il Filmforum Festival di Udine e Gorizia, tra archivio ed esposizione. Francesco Federici The Filmforum Festival of Udine and Gorizia is an event that gathers in two diferent parts, the International Film Studies Conference and the MAGIS International Film Studies Spring School, a…
Silvia De Min
L’ecfrasi performata Silvia De Min The rhetorical category of ékphrasis was defned by the ancients as the use of language to imagine a scene.On the contrary, in the modern sense, ékphrasis is defned as the description of a visual art object. This article takes in consideration the role of ékphrasis in contemporary theatre. Ékphrasisin performance…