L’affresco di Fra Angelico nella sala capitolare del convento di San Marco a Firenze: alcune precisazioni iconografiche Victor M.Schmidt This contribution concerns the identification of three figures in Fra Angelico’s fresco of the Crucifixion in the chapter room of the convent of San Marco in Florence.The identification of the figure to the far left in…
Roberto Delmoro
Un Bergognone dimenticato. Gli affreschi dal coro delle monache del monastero di Sant’Erasmo di Milano* Roberto Delmoro Before the complex of Sant’Erasmo in Milan was demolished, the Perego Counts had a fresco detachedfrom the chancel wall in the nuns’ choir. Since 1907, it has been housed in the chapel of Villa Perego inCremnago (Como). The…
Roberto Contini
Gentileschi patrigno e figliastra Roberto Contini It sounds bizarre that two of the most prominent painters of the first half of the17th century, Orazio LomiGentileschi and his celebrated daughter Artemisia have not generally been considered to the present dayin the guise of draughtsmen. Speaking of artists of Tuscan origin and education, such a commitment –…
Chiara Savattieri
Dezailler d’Argenville et les sources italiennes de l’Abrégé de la vie des plus fameux peintres Chiara Savattieri This article discusses the way Dézailler D’Argenville deals with Italian schools of painting in his famouswork Abrégé de la vie des peintres (1745-1752; 1762). In fact, he uses Italian sources in an original way,removing or reducing anecdotes relevant…
Elisa Bassetto
L’idea di libertà tra idealismo e liberalismo. Il carteggio Antoni-Ragghianti (1942-1959) Elisa Bassetto The paper describes the correspondence between Carlo Ludovico Ragghianti and Carlo Antoni, two famous intellectuals of the 20th century, both Benedetto Croce’s pupils. Their epistolary relationship developed from 1942 until 1959, when Antoni died at the age of 62. Their letters focus…
Francesca Baldassari
Per i cassoni rinascimentali veronesi Francesca Baldassari Recensione a Mattia Vinco, Cassoni. Pittura profana del Rinascimento a Verona, Milano, Officina Libraria, 2018.
Laura Bartoni
I Ruspoli a Roma tra Barocco e Neoclassico Laura Bartoni Recensione a Maria Celeste Cola, I Ruspoli, l’ascesa di una famiglia a Roma e la creazione artistica tra Barocco e Neoclassico, Roma, De Luca Editori d’arte, 2018.
Emanuele Pellegrini
I “luigicrespi”: handle with care! Emanuele Pellegrini Recensione a Giovanna Perini, Luigi Crespi storiografo, mercante e artista attraverso l’epistolario, Firenze,Olschki, 2019.