Antonio Morassi life and method in the mirror of his Photo Archive. Rethinking Art-Historical Photographic collections. The making of Italian fototeche* Federica Veratelli The Fototeca-Archivio Morassi (Ca’ Foscari Universty of Venice), is a rare photo archive. It contains several reproductions of works of art, collected, during his life, by Antonio Morassi (1893 – 1976) an…

Dissemination of picture copies through different archives: the visual power of Cesare Battisti’s death Gemma Torre Photographs are documents and as such are used to show a message and in particular a visual message. The study of this typology of documents could highlight the activists’s power concept in the selection of memory, already unanimously affirmed….

Protecting Creativity and Research through Fair Use. An Art Historian’s Reflections on the Unsustainable Costs of Image Reproduction Fees Silvia Bottinelli This text reflects upon the complexities of image copyright laws and their implications for the art community. I highlight the double-sided effects of such laws on the protection of author’s rights. On the one…