Piero Manzoni 1959: tre Achromes “prensili” e una svolta New Dada Michele Dantini In Piero Manzoni 1959: tre Achromes “prensili” e la svolta New Dada [Piero Manzoni 1959: Three Prehensile Achromes and the New Dada Turn] Michele Dantini proposes unexpected modernist sources for the wellknown series of Manzoni’s “white” works of the years 1957-1957 while…

«Un’immane critica delle confuse perifrasi». Introduzione a Carl Einstein critico d’arte (Parte I) Michele Fucich Carl Einstein (1885-1940) was a German art critic and writer whose original approach to European avantgarde and primitivism hasn’t been adequately taken into account by the Italian academic world, despite a growing international attention to his intellectual legacy in the…