Hommage à Michel Laclotte Thomas Schlesser The article is a testimony to the friendly exchanges between the author and M. Laclotte.
Nicolas Joyeux
L’OEil et la main Michel Laclotte : redécouverte des peintures italiennes dans les musées de France et transmission d’une méthode Nicolas Joyeux A major figure in French art history, former director of the Louvre Museum and founder of the Institut National d’Histoire de l’Art (INHA), Michel Laclotte was also, and above all, a lover of…
Corentin Dury
Michel Laclotte et les étudiants : de l’École du Louvre à l’INHA Corentin Dury This article is a testimony of M. Laclotte’s teaching at the École du Louvre, and of the many insights the author recalls from his training.
Guillaume Kazérouni
Michel Laclotte et le musée des Beaux-Arts de Rennes Guillaume Kazérouni The article focuses in particular on the donations made by M. Laclotte during his lifetime to the Musée des Beaux-Arts in Rennes.
Mickaël Szanto
La fica, la coda e il riso. Aux origines de la peinture comique au siècle de Titien Mickaël Szanto The rediscovery of a comical painting, recently attributed to the painter Bernardino Licinio, constitutes an important contribution to the understanding of the genesis of pittura ridicola in Renaissance Italy and the decisive role of the Venetian…
Carole Blumenfeld
L’humour sinon rien. Une forme de maïeutique Carole Blumenfeld The article is a testimony to the years of friendly exchanges between the author and M. Laclotte.
Paul Tucker
Ruskin on Painting and the Image: Two Recent Accounts by T.J. Clark and Thomas Pfau Paul Tucker This essay aims to initiate investigation of John Ruskin’s concept of the image across his entire career and as constituting the thematic core of his work. As a first step – with a view to assessing what light…
Maria Vittoria Maiello
La riscoperta di Forma 1 negli anni Ottanta Maria Vittoria Maiello Forma 1 was one of the most influential artistic groups of the post-war period. However, it broke up in the early 1950s, with its members pursuing very different artistic paths. Forty years after the publication of their manifesto, there was a renewed interest in…
Julien Abbadie
Deux dessins de Carlo Urbino, études préparatoires pour les Funérailles de la Vierge Marie, fresque de l’église Santa Maria di Campagna a Pallanza Julien Abbadie The recent rediscovery of two drawings by Carlo Urbino, one of which is unpublished, sheds new light on the creation of the frescoes for Santa Maria di Campagna in Pallanza…
Roberto Tartaglia
La corrispondenza privata di Federico Zuccari. Lettere a Francesco Maria II della Rovere per il figlio Ottaviano Roberto Tartaglia This article, focused on Federico Zuccari’s correspondence, sheds new light on the connections between the painter and Francesco Maria II della Rovere and follows a previous paper on six missives to Sebastiano Caccini (in «Predella», 55,…