Antiarte, «regalità sacrale», «potenza». Julius Evola tra estetica e politica nel periodo dell’entre-deux-guerres (da Futur-Dada al «tradizionalismo integrale»)
Michele Dantini
The essay engages with Evola’s thought, examining its continuities across his various intellectual phases. While contemporary literature tends to contrast Evola the artist with Evola the philosopher and “integral traditionalist”, this study seeks instead to discern and highlight the underlying threads that unify these three periods. Indeed, the futurist, post-futurist, and Dadaist phases are shown to already contain the premises of his subsequent extra-artistic orientations.