L’OEil et la main Michel Laclotte : redécouverte des peintures italiennes dans les musées de France et transmission d’une méthode Nicolas Joyeux A major figure in French art history, former director of the Louvre Museum and founder of the Institut National d’Histoire de l’Art (INHA), Michel Laclotte was also, and above all, a lover of…

Hommage à Michel Laclotte Thomas Schlesser The article is a testimony to the friendly exchanges between the author and M. Laclotte.

Après le Louvre Pierre Wat The article is a testimony to the years of friendly exchanges between the author and M. Laclotte, especially in the founding period of the Institut National d’Histoire de l’Art.

Une conception symphonique du musée. Michel Laclotte et l’auditorium du Louvre Paul Salmona This text details the central role played by M. Laclotte in the installation of the Louvre Museum auditorium and the diversity of its programming during its early years after the inauguration of the Grand Louvre.

Laclotte, Orsay e la questione dell’Ottocento Claudio Pizzorusso This article looks at the vision of 19th-century art that M. Laclotte may have had, and which was fundamental in his conception of the Musée d’Orsay.

Michel Laclotte 1978: frammenti di un’attività museale Neville Rowley This contribution brings together several scientific achievements of M. Laclotte dating back to 1978, highlighting the multiplicity and richness of his career.

Michel Laclotte, ou le défi perpétuel des oeuvres d’art Andrea De Marchi This text reflects on M. Laclotte’s scientific contribution and recounts the author’s many years of research and friendship with him.

Michel Laclotte. L’art et la manière Jean-Pierre Cuzin The article is a testimony to the long years of friendly exchanges between the author and M. Laclotte.

Michel Laclotte, le forme dell’arte e le forme della cultura Anna Ottani Cavina The article is a testimony to the long years of friendly exchanges between the author and M. Laclotte.

Michel Laclotte, une complicité amicale Pierre Rosenberg The article is a testimony to the long years of professional and friendly exchanges between the author and M. Laclotte.