Una partnership internazionale inTerra di Lavoro nell’età durazzesca Mariarosaria Ruggiero This essay retraces the events of a studio where two artistic personalities who worked in the area of Terra di Lavoro during the age of Ladislao of Durazzo stood out and created a figurative enclave. Their artistic language developed between the end of the fourteenth…
Numero: Predella n. 47
Editoriale
Indice
Miscellanea / Miscellany
- Mariarosaria Ruggiero
- Vittoria Brunetti
- Livia de Pinto
- David Lucidi
- Fabrizio Ansani,
Jan Verheyen - Marco Vaccaro
- Elena Franchi
- Francesco Speranza
- Romina Origlia
- Elisa Bernard
- Daniele Giorgi
Monografia / Monograph
- Diane Cole Ahl: Bibliography
- Diane Cole Ahl: A Biographical Sketch
- Barbara Wisch
- Keith Christiansen
- Gail E. Solberg
- Cristina Borgioli
- Christa Gardner von Teuffel
- Gerardo de Simone
- Jean K. Cadogan
- Marilyn Aronberg Lavin
- Timothy McCall
- Giorgio Bonsanti
- Catarina Schmidt Arcangeli
- Eric R. Hupe
- Fredrika H. Jacobs
- Barbara Wisch
- Christina Lamb Chakalova
Vittoria Brunetti
Un Marte “da galleria”, opera diGiovanni Baratta Vittoria Brunetti Around 1736-1737 Giovanni Baratta sculpted two medallions with the portraits of Mars and Minerva for the façade of the Royal Palace of La Granja de San Ildefonso, designed by the architect Filippo Juvarra. The appearance of another version of the Mars on the art market sheds…
Livia de Pinto
Dalla trasparenza alla materia.(Di)segni della Scuola di San Lorenzoper un ritorno alla pittura a Romatra fine anni Settanta eprimi anni Ottanta del Novecento Livia de Pinto In the city of Rome, the events that characterized the activity of seven artists identified as the Scuola di San Lorenzo have been particularly significant in a time frame…