Gerardo de Simone – Emanuele Pellegrini
Provaci ancora Museum! Gerardo de Simone – Emanuele Pellegrini What is a museum? Since 1946, ICOM has been proposing several definitions of museum that reflect different concepts of museum, its role in the society, its relationship with the public or the art market. In 2019, ICOM launched an international call for a new definition. The…
Valentina Frascarolo
Sul disegno ottocentesco. Una introduzione Valentina Frascarolo
Egle Radogna
L’espressione grafica in Luigi Ademollo. Idee e progetti su carta per la committenza toscana Egle Radogna The article focuses on an unpublished list of drawings made by the artist Luigi Ademollo for someimportant patrons belonging to the aristocratic and clerical class in Tuscany between the late 18th and early 19th century. Some artworks are of…
Raquel Gallego Garcia
Los dibujos de vistas romanas de Valentin Carderera (1822 – 1831): el album D-6412 del Museo Nacional del Prado Raquel Gallego Garcia Valentín Carderera y Solano, a savant, a historian and a collector among many other things, was in Italybetween 1822 and 1831 and during his stay he sketched a good number of drawings of…
Sara Rulli
L’architettura genovese nei disegni degli architetti tedeschi del XIX secolo Sara Rulli Indifferent to the decorations of the Baroque period, German architects who visited Genoa during the 19th century showed instead a profound interest for the compositional characteristics of villas and palaces’ architecture. Between 16th and 17th century, these buildings had served as real communication…
Fausto Minervini
Un focus sulla circolazione di documentazione archeologica pompeiana nel secolo Ottocento: il caso Gigante-Pagliano, tra disegno e fotografia Fausto Minervini From the mid-Nineteenth century, as Pompeii gained new attention thanks to the most recent archaeological discoveries, more and more documentary materials circulated in the artistic field. An unpublished letter by Giacinto Gigante to Eleuterio Pagliano,…
Andrea Leonardi
<Studiosi>, <dotti>, <amatori> e <financo i curiosi>(G. Jatta, 1869). Il disegno nella Puglia storica dell’Ottocento tra <oggetti e monumenti storici o di arte> Andrea Leonardi The theme of the Design and its possible print translations in the so-called “historical Apulia” can be approached from several points of view. By presenting exemplary cases, this essay aims…
Margherita Priarone
Tullio Salvatore Quinzio (1858-1918): disegni per la grande decorazione a Genova tra tradizione e rinnovamento Margherita Priarone Genoese drawings dating back to the 19th century have not been extensively studied yet, apart fromsome recent essays devoted to Carlo and Nicolò Barabino, Michele Canzio and Santo Varni. Among thelesser-known 19th century-works on paper housed at the…
Victor M.Schmidt
L’affresco di Fra Angelico nella sala capitolare del convento di San Marco a Firenze: alcune precisazioni iconografiche Victor M.Schmidt This contribution concerns the identification of three figures in Fra Angelico’s fresco of the Crucifixion in the chapter room of the convent of San Marco in Florence.The identification of the figure to the far left in…