Orlando Grosso e l’arte genovese tra musei civici e connoisseurship
Silvia Massa
This review presents a book by Andrea Leonardi (published in the series «Le Voci del Museo», 2016, n. 37) that by exploring new archival documentation aims at sheding light on Orlando Grosso’s thought and activity in his double role of connoisseur of Ligurian and Genoese art, on the one hand, and of Director responsible for the organization of the first civic museums in Genoa, on the other.