Valutare la Storia dell’arte Gerardo de Simone, Emanuele Pellegrini
Francesco Caglioti
Anatomia di un duplice falso di scultura fiorentina del Quattrocento: la Cecilia Gonzaga «OPVS DONATELLI» in Slovacchia Francesco Caglioti Since 1975, the Spiš Museum in Levoča, eastern Slovakia, has preserved a marble half-bust of a young woman, inscribed at its base «CECILIAE GONZAGAE • OPVS DONATELLI». First brought to scholarly attention in 2021 as a…
Diana Di Matteo
Una proposta di retrodatazione del Codice Escurialense Diana Di Matteo Italian Renaissance style seems to be consciously flourishing in Spain through the grotesques of La Calahorra, which make use of the sketches of the Codex Escurialensis. The notebook was bought by the nobleman Rodrigo de Mendoza in Florence during his first trip to Italy (1499-1500),…
Luca Fiorentino
Ricerche e analisi sul disegno “indipendente” e il rapporto con le stampe nel Settecento.Pietro Giacomo Palmieri, Mauro Gandolfi e Jean Baptiste Pillement Luca Fiorentino This essay highlights the development of independent drawing, understood as works on paper conceived, sold, and regarded as “finished” artworks like paintings or sculptures, with origins traced back to the late…
Pina De Angelis
La collezione di dipinti italiani di Robert ed Evelyn Benson Pina De Angelis Over four decades, a London merchant banker Robert Henry Benson (1850-1929) and his wife,Evelyn Holford (1856-1943), built a significant collection of 114 early Italian Renaissance paintings,focusing on the Sienese, Florentine, Umbrian, Ferrarese, Milanese, and Venetian schools.The Benson Collection was one of the…
Emma Colombi
Fotografia e militanza 1968-1977:il fotogiornalismo della contestazione in Italia Emma Colombi Between 1968 and 1977, as Italy undergoes a wave of protests triggering political, social, and cultural transformations, many people began to see photography as a tool for political participation. These were the so-called protest photojournalists, no longer mere witnesses but activists who, by photographing…
Giuliana Tomasella
Fritz Berthold Neuhaus:un artista viaggiatore nelle collezioni del Museo delle Civiltà di Roma Giuliana Tomasella This study examines the significant corpus of forty-four paintings by the German artist Fritz Berthold Neuhaus (1882-1956) held in the collection of the Museo delle Civiltà (MUCIV) in Rome. The painter traveled and worked extensively in the Italian colonies of…
Elena Cera
La riscoperta della scultura in terracotta e dei suoi protagonisti: Giovanni De Fondulis Elena Cera
Giovanni Carrada
Giovanni Carrada
Francesco Emanuele Salamone
Nove semplici proposte per il miglioramento – con effetto immediato – delle procedure in tema di circolazione internazionale delle opere d’arte Francesco Emanuele Salamone The essay addresses one of the most pressing issues in the art sector: improving procedures for the international circulation of artworks while balancing cultural heritage protection with private property rights and…