Martin Heidegger e la storia dell’arte: i «Quaderni neri» Michele Dantini During the 1930s, coinciding with the turning point commonly referred to as “Kehre”, Heidegger repeatedly confronted himself with the Austrian and German art history of the time. Nearly undetected by scholars,- conspicuous traces of this dispute remain both in essays published longtime ago, as…
Paolo Emilio Antognoli
Giovanni Testori su la Semaine Sanglant e sulla retrospettiva di Manet del 1983 Paolo Emilio Antognoli In 1983 the Italian writer Giovanni Testori (Novate Milanese, 1923 – Milan, 1993) published on «Paragone», the Roberto Longhi’s art journal, a short essay entitled Manet and the ‘semaine sanglant’, dedicated to an unpublished painting by Èdouard Manet: La…