Passés antiques et construction de l’image civique de Gênes entre manuscrits, art monumental et historiographie Ilaria Molteni
Jan Verheyen
A lost portrait by Pieter Cristus and its contemporary Italian copy. An exploration of Flemish-Italian artistic interactions in the fifteenth century Jan Verheyen In 2016, a captivating fifteenth-century portrait of a self-assured man, dressed entirely in accordance with the Burgundian-Flemish fashion, featuring a striking black headdress, caught the attention of experts engaged by the Swiss…
Rebecca Caracciolo
L’iconografia dei Viri Illustres nella Cappella di San Brizio del Duomo di Orvieto Rebecca Caracciolo The Cortona painter Luca Signorelli achieved the masterpiece of his career with the cycle of frescoes in the chapel of San Brizio in Orvieto Cathedral. The decoration is divided in two main registers: the upper one, where Signorelli depicted different…
Roberto Tartaglia
La corrispondenza privata di Federico Zuccari. Lettere a Sebastiano Caccini Roberto Tartaglia The article, focused on Federico Zuccari’s correspondence, sheds new light on both his life and career, by providing a remarkable cross-section of his public and private dimension. Thanks to a review of the letters to his friend Sebastiano Caccini, now preserved at the…
Filippo Yahia Masri
La Galleria Multipli: arte moltiplicata a Torino (1970-1975) Filippo Yahia Masri The Galleria Multipli was founded in 1970 in Turin by Giorgio Persano. During its period of activity, from 1970 to 1975, the Multipli contributed to the growth of contemporary art in the city by specializing in the production of multiples. The gallery’s work represented…
Michele Dantini
Alighiero Boetti e il “niente” (1966-1969). Cortine, distanze, interregni Michele Dantini Presented here is a monographic essay dedicated to a single work by Boetti, I vedenti, dated 1967. Two different paths of interpretation are attempted. The first path leads to the recognition of artworks and artists contemporary to Boetti or a little earlier, starting with…
Gigetta Dalli Regoli
Attualità degli Studi dal modello. Una precisazione Gigetta Dalli Regoli The text briefly comments on the catalogue of the recent exhibition Botticelli Drawings (San Francisco, Fine Art Museum San Francisco, Legion of Honor, 18 November 2023 – 11 February 2024) and touches upon methodological issues related to new attributions and assessment of previous scholarship in…
Emanuele Pellegrini
Recensione a Giulio Bursi, Fabrizio Trisoglio (a cura di), Alberto Mortara. L’antifascismo, l’economia, il cinema, Milano-Udine, Mimesis Edizioni, 2023. Emanuele Pellegrini
Martina Caterino
Recensione a Robert Williams, Raffaello e la ridefinizione di arte del Rinascimento, traduzione di Luisa Castellani, prefazione all’edizione italiana di Alessandro Nova, Roma, Carocci, 2023. Martina Caterino
Harula Economopoulos
Recensione a Raffaello e l’Antico nella villa di Agostino Chigi, Roma, Villa Farnesina, 6 aprile – 2 luglio 2023, a cura di A. Zuccari e C. Barbieri. Harula Economopoulos